Tang Dynasty, there are many new fabrics. Yarn, Luo made a light, thin, colorful, have been widely used to dress. Shafer that the United States Han Tang Dynasty writer, Peacock Lo is the most beautiful textiles Tang Dynasty features a gorgeous model. According to his research, Peacock Law constant state by Hebei Road, weaving, and it is a beautiful and luxurious, shiny surface of the fabric. Peacock Lo women's luxury fashion has become a favorite pursuit of a fabric. Tang Dynasty women's apparel preferences for the use of transparent chiffon fabric. Tang Dynasty aristocratic women like to wear large dresses, skirts dragging on the ground, upper body which often do not wear underwear, only with a thin Sha Yi, neck, chest, arms, most of the exposed skin in a transparent under the faint graceful chiffon. Tang popular live a bare collar, which do not wear underwear, topless on the outside. So do not wear underwear, is mounted within the collar in the bare, no longer wearing Guodu, Tube and the like underwear. In other words, bare collar fitted like underwear Waichuan later. Chinese dress, as the bra, pulled to sharp dress, low neckline, the bare chest, in fact, the reach of today's women, dressed in uniforms. It is no exaggeration to say that the Tang Dynasty women's clothing, whether at home or go out dressed in thin, transparent, gel degree, much less than the previous generation of open, full of vigor era, Datang's charm. One kind of plump, with a youthful enthusiasm and imagination, penetration into the Chinese dress. Expensive with the pursuit of luxury women's apparel, but also pay attention to individual, women's underwear to expose features. Modern underwear "thin, transparent, gel" sexy elements, in fact, has been produced in the Tang Dynasty, Tang Dynasty popular Touming Zhuang, open modern fitted underwear exposed, clairvoyant outfit of its kind, it is beyond doubt. Handed down a week from fat "Wearing Ladies", painting, people can feel both plump ladies, plump lady, who was revealed to Johnson, extravagant, elegant, Plaza of the youthful and soft, soft, temperature, tired of moving gesture. Baotou Charo, delicate patterns, vibrant colors, gentle mood, just right of the arc, lining the body posture reflected the charming, elegant temperament. People see the Tang Dynasty women, bathing in the open sun, within the Plaza that is the release of the body curve, but also "a woman makes herself" an expression of their minds. History of more than enough to enable us to make this drama features clothing, refer to the Tang Dynasty figurines, murals, historical data such as these do Juanhua clothing and style, do not mess "Mars clothes." Art Direction given conceptual and historical framework of a large, truly masters of their clothing but also on the superb technology, the domestic part of the drama clothes are either too dead or Tai Su, according to historical research is not too stylish, not suitable for young audiences, Hong Kong TVB's clothing though good-looking, but too abstract and Western cultural influences, the lack of traditional Chinese cultural things, the master is only occasionally a few movies do not do drama. I believe We believe this is the costume drama costume design will be a leader in the style of the milestone, I also believe that our clothing division will be able to achieve the overall concept of my art. Part V also reflects the make-up make-up design, "the United States is the ultimate tragedy" of self-confidence are the prime beauty dress, the ultimate tragedy is brilliant. Prettier thing is more dangerous. Such as tattoos, including surface decoration. Dress the more that she desires greater. The following is a suitable make-up of historical research in this drama: the Tang Dynasty palace beautiful sexy body, hair tall, shallow fluffy, large and Baotou costumes, make-up on the popular Halo moth wings painted eyebrow, brow high and rising, like two feathers, according to "New Century Heritage of the" records of the Tang Dynasty palace concubines also popular kind of "Tears makeup": the hormone powder applied on the cheeks, not painted rouge, looks grimaces, it is called tears makeup, which is undoubtedly a strange pursuit of make-up, called the avant-garde.
They no longer blindly pursue to show the beautiful white face, but rather to highlight the skin smooth and delicate, ruddy, beautiful charming. Tang's hair is full of tricks, too numerous to mention, beautiful name; for example, half turned bun, bun anti-groom, Le Tour bun, bun makeup sweeping downtown, caught a bun, bun Wu Man, Changle bun, bun to worry , Tang hair bun and coming down in another style, coming from the ear on the place even in the hair. Coming from the hair style is an important part. The French style of Tang women are about three characteristics: the prevalence of Jia Ji, because of the added meaning of bun, fluffy hair extraordinarily tall. Americans have often Jia Ji Yang for jewelry, clothes and good yellow skirt. Jia Ji's popularity has continued into the late Tang Dynasty from the Tang Dynasty. Don can be described as a soft spot for women on the buns, even in Sangluan subjugation occasion, still did not forget to make special Jia Ji hair ornaments. Hair on the temples hold surface modification of the Tang Dynasty women's hair on the temples is unique, then most women's hair on the temples, Phi in the ears, few have Northern and Southern Dynasties down to the neck of the phenomenon, facial hair and hair on the temples are swept to the side, the vulgar that "temples hold face" is actually a new development cicada bun. Again at this time maid, maid of the comb Ah bun, and no longer like the Wei and Jin Dynasties, as both sides of the comb on the head, but down in the ears on both sides. Bao bun, insert comb, Tang Tang Dynasty, when the simplicity of a change in the wind, his head replaced by Pearl Green, Grace Wealthy. And then there is a hair in bun hair style is called Po, is actually spent in the hair Shangzhui tin, genistein, Cicadas, hairpin hairpin, Jin flowers hence the name apart from other jewelry decorated with beads outside Tsui , but also to hair ornaments of flowers. In addition, women in the Tang Dynasty, the buns on the comb inserted into several small comb, as a decoration. Pay attention to those with gold, silver, rhinoceros, or dental materials such as jade, revealing half-moon comb back. In the late Tang Dynasty, due to various decay classes high on the hog, so the women's ornaments in the late Tang Dynasty style not only did not tend to decline, but even more magnificent, and gradually changed to advocate a kind of morbid beauty. Tang Dynasty poet, famous song "when the world makeup," a poem from the time it comes from the poem by describing the main features of the ornaments hanging bun is coming round, black lip injection cream, ocher yellow painted face, eyebrows do the character, an alternative outside the United States with a morbid style. Just like the clothes his wife Han Liang wing represents a demon-like ornaments typical of the late Tang Dynasty style. . Leaving their families bun. Tang, Kyoto temples woman to hold the comb surface, bun shaped like a cone, when the throw home that bun. Thrown by the head of hair like shape, hence the name. Hair in the fat of this week painted "Wan Shan Ladies" screen and Guo Xi-mo's "Palace Music map" can be seen. Falls bun, bun is similar to the Tang Dynasty Falls bun with Japanese fall, as set hair on top, Wanji ride toward the under side of the style. Falls bun in the late Tang Dynasty was very common, and the bun is quite similar to leaving their families, are reflected in a lazy, weak, Jishi, pleasure of the state, and the Tang Dynasty is a healthy opposite temperament. In addition to random lazy bun bun style, Tang also was popular chaotic bun, typically busy sweeping makeup bun, a bun-style fluffy hair was messy state. Trouble sweeping makeup, Tang palace bun name. There is also a bun called dial cluster, about popular Tang Zhaozong period. Tang woman hair done, that the wave bundle, in order to chaos for the child, vertical barrier in the head. Is a random bun. Both the hair, if today it is regarded as a typical decadent type of hair, and also reflects the late Tang r panic, Palace were bored one end of the world mind. As a Chongshang Fu Li Tang dynasty, therefore, a rich ruby "red makeup" is now the most popular face makeup. The painting by powder methods, their decorative effect is slightly different. Wine halo makeup: red makeup were undoubtedly the most nuanced wine halo makeup.
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